Cat feet

„Maggie’s destiny arrives one afternoon without a clarion call. It comes on cat feet, like everything else in the world that has the power to destroy you.“

© 2019 Lisa Taddeo, Three women.

Stamina

”The writing life is mostly about stamina. To get to the finishing line requires the writing to become more interesting than everyday life, and a log fire, like everyday life, is never boring.”

© 2018 Deborah Levy, The cost of living.

Fridge door reminder

Barbara Hepworth working. Source: Getty Images.

„The moths seemed to like landing on the two photographs I had stuck on to the fridge door with magnets. One was of the British sculptor Barbara Hepworth, age sixty, a carving tool in her hand, leaning into the giant sphere of wood she was shaping. She had burst solid form open to make a pierced form, a hole, after the birth of her first child in 1931. Hepworth described sculpture as ‘the three-dimensional realization of an idea’.

Louise Bourgeois in her main studio in Brooklyn in 1991.
Source: THE INGE MORATH FOUNDATION/MAGNUM PHOTOS.

The other photograph was of the sculptor Louise Bourgeois, age ninety, an iron carving tool in her hand, leaning over a white sculptural sphere that came to her waist. In the photograph she was wearing a chiffon blouse under a black tunic, her silver hair pulled into a bun, small gold hoops in her ears. Bourgeois had unfashionably declared that she made art because her emotions were bigger than herself.“

© 2018 Deborah Levy, The cost of living.

Pom-pom

”When I returned to London, my local Turkish newsagent gave me a fur pom-pom key ring. I wasn’t sure what to do with it, so I attached it to my handbag. There is something very uplifting about a pom-pom. I went for a walk in Hyde Park with a male colleague and it bounced around in a light-hearted manner as we kicked our way through the autumn leaves. It was a free spirit, madly joyful, part animal, part something else. It was so much happier than I was.”

© 2018 Deborah Levy, The cost of living.

Chaos

”Chaos is supposed to be what we most fear but I have come to believe it might be what we most want.”

© 2018 Deborah Levy, The cost of living.

Major character

”It was not that easy to convey to him, a man much older than she was, that the world was her world too. He had taken a risk when he invited her to join him at his table. After all, she came with a whole life and libido of her own. It had not occurred to him that she might not consider herself to be the minor character and him the major character. In this sense, she had unsettled a boundary, collapsed a social hierarchy, broken with the usual rituals.”

© 2018 Deborah Levy, The cost of living.

Instant demotions

”I have lost count of the number of times men, both older and younger than me, have told me that I look young. They act like it’s a compliment, but it is so not a compliment. Women are meant to be flattered by being told we look young because, for a woman, looks are the most important thing, and youth is the best look of all. But in informing me that I look youthful, or that I don’t understand because I’m too naïve, or asking me if I’m a student when I am clearly a tenured lecturer, these men strip from me more than a decade of professional experience and expertise. The so-called compliment is, in fact, an instant demotion.”

© 2018 Emilie Pine, Notes to self.

Pointless judgements

”When I look at women—whether they’re dancing naked onstage, or they’re in a magazine wearing a bikini—I do not really care if they are smooth or hairy. I do not care about their bodies and what they do with them. I do not care if they think hair is unsightly or unsexy. Because I am not really judging them, I am judging myself. I judge myself for not sufficiently grooming my pubic hair. I judge myself for not shaving my legs as often as I could. I judge myself for not shaving my underarms at all. I judge myself all the time. And this constant act of judgment is the most pointless thing I have ever done.”

© 2018 Emilie Pine, Notes to self.